Our Site Map and direct support links


About

Mission Goals and Legalese https://wpaa.tv/mission/
What People Are Saying https://wpaa.tv/testimonials/
Who is behind the curtain? https://wpaa.tv/communitymembers/
Who has served in the public interest https://wpaa.tv/alumni/
How did the nonprofit WPAA-TV come to exist https://wpaa.tv/our-history/
The News we share with the community https://wpaa.tv/newsletter/
What it takes to run WPAA-TV and why https://wpaa.tv/sunshine/
Deep Dive Documents https://wpaa.tv/governance_documents/

Make TV

Be A Producer https://wpaa.tv/mediacenter/producer/
Community Conversations Interested in doing just one show, this may be for you, https://wpaa.tv/contributor/
Guest host pre-designed shows https://wpaa.tv/befreeman/
3-Minute Movie Challenge (prizes) https://wpaa.tv/moviechallenge/
Film Initiative (application required) https://wpaa.tv/mediacenter/studiowfilm/
We are a performance venue https://wpaa.tv/destinationstation/

Watch TV

Find What is playing on TV https://wpaa.tv/watch/program-schedule
Watch TV online https://wpaa.tv/watch/studiow/
Educational Content STEaMc and In2Languages https://wpaa.tv/learn-by-watching/
Content made local from elsewhere by neighbors that think it is #GoodEnough2Share https://wpaa.tv/goodenough2share/

More Than TV

Volunteer Featuring Youth Teen Tiger TV https://wpaa.tv/volunteer/
Moses Yale Beach | His Time and Ours https://wpaa.tv/myb_revealed/
Community Media Day https://wpaa.tv/cmd/
Be The Media Facebook Group https://www.facebook.com/groups/587887694620085
#socialactionart StreetshotZ https://wpaa.tv/mediacenter/gallery/
Podcasts from TV Archives As Told Here http://wpaa.tv/as-told-here-podcasts/
Find All podcasts https://astoldherewpaatv.buzzsprout.com/
Feature Project PlaceYourself In History https://wpaa.tv/mediacenter/history_remix/

Google Maps and Frequently Asked Questions. And Events What is Happening at WPAA-TV

Programs for Youth

About Grassroots Support to Sustain What We Do Together

Media Maker Mingles Schedule

Volunteer: High School Community Service Hours

Place Yourself in History: Prizes, Ongoing

Let’s make a ‘community media’ videos together!


The cell phone, camera, or drone in your hand makes you our crew. #TeenTigerTV youth are the video producers and editors.

The common idea in the #TeenTigerTV Contributed Media Project is we share Wallingford but see it from different vantage points. Many sunsets, rainbows, first snowfall or enormous ones, or critters visiting our yards have many of us reaching for our cameras; then sharing on Social Media. What if we could see the seasons change, our encounters with nature, our favorite places, and other things Wallingford, more collectively?

With a camera in nearly everyones pocket anyone can contribute to content creation from where they are. Content can be crowd-sourced around an idea and produced into something representing many views. It is the coming together of people across generations, with different skills and vantage points agreeing to a common idea that defines community. It is the coming together of people from all generations as neighbors and fans of Wallingford that make each Contributed Media video special.

Community Media brings people together to produce video content. It is not about where you see the content, or the resources used to produce it; it is about coming together to engage, inspire, educate or entertain.

Most Social media is a person sharing something they did, think, or saw on platforms. They can be one of houndreds or thousands with a common interest. Each person participates from their point-of-view. With limitations, common interests can be viewed collectively with a hashtag. Truthfully, a collective exprerience is rare.

Community Media originated before Social Media. It involved people coming together, learning technology, and using publicly managed resources to create TV content for distribution on cable television. Today, community content creation does not depend on public resources; however, it still requires people coming together in the public interest around an idea.

WPAA-TV and Community Media Center hosts the #TeenTigerTV youth media progam. Our purpose is to serve our viewers, producers, and contributors in the production of content that matters to them and ultimately the public. By providing our tools and stage as a free resource on a 1st, come, 1st serve basis, WPAA-TV celebrates Wallingford every day. Community media encourages local dialogue, increases discourse around policy issues, fosters an understanding of local cultures, and shares information to improve our lives. In Wallingford, we have a space to be brave and safe for all of this. However, Unity begins with U. Let’s share the joy of enjoying everything Wallingford

You can contribute pictures and short video clips of places and things Wallingford using the email movie@wpaa.tv. This submission process gives the youth team permission to use the content submitted. After it is edited you will see the video on TV and Social Media. Contributed Media videos are here on YouTube. All videos are cablecast on WPAA-TV Comcast 1070/18. Most contributors will see the results on YouTube. Everyone is encoraged to share with their friends and family.

Image Submitted to TeenTigerTV for Fall Contributed Media Video

Help us. Your experiences can be part of our community memories: Submit your pictures to movie@wpaa.tv. And if you are a young person the youth team are barinstorming wasy to give you incentives to participate in 2026. There is no need to wait, submit now.

To recap:

Contributed Media means content—specifically pictures and short video clips—that is crowd-sourced from various individuals in our community and then edited/produced collectively to represent many different views around a common idea about Wallingford.
It is defined by:

  • Crowd-Sourcing: Anyone with a camera can submit content (like photos of sunsets, nature, or favorite places) via email to movie@wpaa.tv.
  • Collective View: The goal is to move beyond individual social media sharing to see things, like the changing seasons in Wallingford, more collectively.
  • Community Production: The submitted content is used by the #TeenTigerTV youth media program to produce a video that becomes a community memory, which is then shared on social media, cablecast on WPAA-TV, and uploaded to YouTube.

In Conversation: Beach and His Contemporaries


WPAA-TV is part of the America250 | CT Commission. “Moses Yale Beach Revealed” is our primary “Doing History” humanities project. This initiative has created several educational resources, including:

  • An all-ages book titled The Check Minus, which features a timeline of Beach’s life.
  • Videos and podcasts like “In His Time: Antebellum America and Moses Yale Beach In His Own Words,” available on the WPAA-TV YouTube channel.

The creative team is planning a dramatization called ‘In Conversation.’ It draws inspiration from Steve Allen’s Meeting of the Minds. Allen had notable historical figures, such as Socrates, Galileo, Marie Antoinette, and Attila the Hun, discuss timeless contemporary issues from their unique perspectives. The goal was accessible history, brought to life in conversation. These conversations about complex ideas shed light on topics from different points in time. Our dramatization will delve into the complex ideas that shaped Antebellum America and inform our understanding of an America Divided, today.

Moses Yale Beach, a native of Wallingford, was a key figure in 19th-century American media and technology. However, information about Beach is scarce. To date, he remains a footnote in history. An avid reader, he was unlike others in the conversations in development, he did not write a biography. However, his decade as publisher and editor of the penny paper The SUN (1838-48) provides us with a pivitol window into mass communication leading up to the Civil War.

A narrator will set the stage for each conversation and potentially add a woman’s perspective to the topic at hand.

Roger Sherman Baldwin (1839) – Amistad Case Attorney
Historical questions: What did “human rights” mean to different classes of white Northerners? How did newspaper coverage shape public opinion on Amistad? On Slavery? On the role of newspapers?
P.T. Barnum (1842) – The Showman
Historical questions: How did these entrepreneurs understand their role in shaping public taste? What’s the line between innovation and manipulation?
Edgar Allan Poe (1844) – Year of “The Balloon Hoax”
Historical questions: Was hoax journalism considered ethical entrepreneurship? How did literary figures navigate commercial publishing?
Willis A Hodges (1846) – anti-slavery activist, newspaper editor, black member Convention 1867-68
Historical questions: Does the Sun shine for all?
Daniel Webster (1849) – The Statesman
Historical questions: How did media figures participate in expansion politics? What compromises did “principled” men make?

More Than a Typo An Update on Heritage Marker Story


✒️ Heritage Marker Inaccuracy is More Than a Typo

At 10 pm on November 11th, an email landed in our inbox: “The marker in the cemetery has been taken care of. The plaque at the school will be attended to.” The next morning, the head of the Wallingford America250 committee replied to the sender, offering thanks for the initiative. This is one year after WPAA-TV’s effort to engage community members about the accuracy of Mr. Beach’s Heritage Markers. There are two: His gravesite and Moses Yale Beach School. Both had Mr. Beach’s date of birth wrong, but a conversation would have revealed the larger concern about ‘Doing History’.

With my anxious dog, RayRay, in the car, I drove into the S Orchard entrance of the Center Street Cemetery. WPAA-TV is located just 250 feet from the gravesite, but since dogs aren’t allowed, I needed to travel by car to verify exactly what “taken care of” meant.

I found, as I suspected, the inaccurate birth date on the Moses Yale Beach marker was treated as a typo. But when it comes to permanent public history, the solutions are rarely as simple as correcting a typo. Omissions and carefully chosen language shape our collective understanding of our past. That’s particularly true for the other marker placed the same day in November 2024, honoring Wallingford’s highly acclaimed native son, Lyman Hall, with no community connection outside of his birthplace. What we should know of the conditions by which he added his signature to the Declaration of Independence is a story for another day.

The Gravesite Heritage Marker Text

For readers who haven’t seen it, here is the full text of the marker installed near Moses Yale Beach’s gravesite:

📜 Moses Yale Beach

Born on January 15, 1800, in Wallingford, Connecticut, emerged as a transformative force in 19th-century American media and technology. After his apprenticeship, at age 18, he started a cabinet making business in Northampton, MA, but soon moved to Springfield where he developed a gunpowder machine for propelling balloons and a plan for steamboat navigation on the Connecticut River, but neither were a success.

However, his next invention was a rag-cutting machine for the paper mills, the design of which was still being used well into the 20th century. In 1834, after having had success in the paper mill industry, he started working for his brother-in-law Benjamin Day as the business and technical manager of the New York Sun. A year later, he bought out Day’s partner and then bought Day’s share in 1838 for $40,000. Under his business and editorial guidance, the four-page, penny newspaper Sun pioneered sensationalism and innovative business strategies, such as the syndicated story in 1841, becoming one of the most widely circulated newspapers of the era. Beach’s visionary pursuits extended into news gathering to be the first with the news of the day. During the Mexican War he employed boats, post riders, rail and the telegraph to get the news a day ahead of his competitors. In 1846, the Sun teamed up with five other New York City papers to form the New York Associated Press.

After his retirement in 1848 due to health issues, he returned to Wallingford, where he became a benefactor to our schools and students by providing funds for school libraries and awarded prizes to students for educational excellence. At the onset of the Civil War, he donated $100,000, a huge sum on that day to the United States government, in support of the Union forces. Thus, when he passed in 1868, he left behind a legacy of early entrepreneurship, journalistic innovation, and technological foresight that shaped the course of 19th-century American communication.

~~

Moses Yale Beach (1800–1868) is correctly identified as a “transformative force in 19th-century American media and technology”. However, the Heritage Marker text, while providing a chronological narrative of his life, misses the opportunity to fully celebrate his greatest institutional achievement—the founding of the Associated Press (AP), among other innovations.

The final sentence of the marker does effectively summarize Beach’s importance, noting he left behind a “legacy of dynamic entrepreneurship, journalistic innovation, and technological foresight”.

Doing History

Doing History is a theme of America250| CT Commission. It refers to engaging with the public and telling more inclusive and complex stories. While focused on those historically left out, Affiliate Projects can improve community understanding through questioning how and who interprets our history.

A Heritage Marker is a piece of public history that shapes our collective understanding of our past. If intended to honor a “native son” for passersbys, should the priority be clarity, accuracy, and a clear connection to the community? History is complex, contested, and sometimes contradictory. How we reveal it, represents us collectively.

With the approved language, dense emphasis on a chronological narrative structure, and omissions one could conclude the marker furthers the “nothing remarkable” tone of Mr. Beach’s local contemporaries. Let’s look at the language.

The Omissions That Matter

The chronological narrative structure buries his most impactful achievement—Founder of the Associated Press—and his local philanthropy. But what caught my attention were the phrases chosen, especially since the President of the Wallingford Historical Society later described Beach as the “mover and shaker behind the New York Sun” and the man who “created the News Service” in a podcast ‘Amazing Tales’. (Transcription)

The Missing Title: Founder

The marker states the Sunteamed up with five other New York City papers to form the New York Associated Press“.

The phrasing—”teamed up”—seems oddly passive for someone whose visionary pursuits extended into news gathering and whose innovation of employing boats, post riders, and rail gave the Sun the news a day ahead of its competitors. The original AP was formed precisely because other papers needed to share the prohibitive cost of Beach’s aggressive news-gathering methods.

Given that the Associated Press itself has acknowledged Moses Yale Beach as the founder, omitting this designation misses an opportunity to celebrate his most enduring contribution to American journalism.

A more accurate, yet still celebratory, text could read: “… led the effort to found the New York Associated Press” or simply, “… founded the New York Associated Press”.

The Misplaced Label: Why “Sensationalism”?

The marker credits the Sun under Beach’s guidance with pioneering “sensationalism and innovative business strategies“. It’s worth noting that “sensationalism” carries a negative connotation in the history of journalism. The height of “Yellow Journalism” came more than a decade after Beach’s death (1890s). While Beach’s Sun did publish hoaxes—like the Moon Hoax (before his full control) and the Balloon Hoax (authored by Edgar Allan Poe)—these were groundbreaking examples of using the newspaper for literary experimentation and mass entertainment. The marker could focus on what was truly innovative: his aggressive news gathering, literary content, and pioneering modern business models, rather than a term that risks simplifying and dismissing his genius.

Accountability in Public History

A public marker is a piece of public history that shapes our collective understanding of the past. While the marker was an Eagle Scout project, the ultimate responsibility for the text’s factual accuracy and historical interpretation rests with the benefiting community organization (like the Wallingford Historical Society).

When historical errors or omissions (like the AP founder status or role in Mexican American War) are identified, the organization would typically be the one to authorize a correction or replacement.

People will see the marker, not hear the Podcast, for decades to come

The approved Heritage Marker text misrepresents Mr. Beach’s accomplishment, tracking more toward the “nothing remarkable” tone of Mr. Beach’s local contemporaries, which the podcast ‘Amazing Tales‘ surprisingly overturns. Mysteriously, after our years of research and publications, an historical society representative tells a version of Mr. Beach’s Story. Notably, in 2017, when WPAA-TV reached out to the Wallingford Historical Society and the Wallingford Public Library, the only records identified in their holdings were pictures of his former mansion on North Main Street. The library had a few weathered news clippings about the controversy over naming a school after him, the benefactor of the land, when using the street name would be more ‘convenient’. They did not even confirm that the document, which is the source of the birthdate error, was among their holdings: The History of Wallingford by Charles Henry Stanley Davis.

WPAA-TV and Community Media is committed to conversation and stories in the public interest. As an CT250 Affiliate, the Moses Yale Beach Revealed Project is ongoing. The earlier story is here. We had hoped conversations would lead to greater clarity and accuracy in honoring Wallingford’s most transformative historical figures. We’re hopeful that ongoing dialogue will create opportunities for collaboration.

Thanks to @america250ct Commission @CThumanities for a framework that embraces all voices.

As told by Volunteer Executive Director, Susan Adele Huizenga

TeenTigerTV Nominated


Rika Welsh Community Impact Award

About the award:  It recognizes an individual or group—who has generated a project that speaks directly to a clearer understanding of the cause being championed. The content, whether modest or large, would reflect the passion for the goal. Use of PEG resources enables a greater empowerment of purpose and appreciation of the cause championed, concurrent with community media awareness.

Nomination

Nominted by President, Herb Jackson (representing the Board of Directors)

Since 2015, TeenTigerTV has embodied the principle that “Youth-led means U decide how U can make a commUnity impact. Unity begins with ‘U’.” This award-winning program has supported a dozen economically or socially challenged youth annually with a free, flexible summer media production experience that transforms participants’ lives while creating content that resonates throughout the community. Approx. 100 youth have come through the program. Seeing the program recognized because they engaged, learned, and delivered with excellence and authenticity could encourage others to take part and uplift those who will remember their first job, first video, first collaborative experience, or first win.

Based upon the criteria for the award, please give examples of why your nominee should be selected.
TeenTigerTV
exemplifies how PEG access resources can empower marginalized voices. Access to tools & stage, mentors, experienced filmmaker & story coaches. The dedication to youth-welcome, youth- led is evident in every aspect—from flexible scheduling that accommodates family vacations to the genuine “You are welcome here” philosophy that creates a supportive environment for youth who may feel marginalized elsewhere. The content champions youth voices. TeenTigerTV participants have created content that speaks powerfully to their lived experiences and community needs.

TeenTigerTV has achieved what the Rika Welsh Award seeks to honor:

1. Clear understanding of the cause: Youth understand they are not just learning video production—they’re claiming their right to community storytelling and civic participation.

2. Passion reflected in content: From mental health advocacy to historical analysis, participants tackle subjects meaningful to their generation with authenticity and courage.

3. Empowerment of purpose: Economically and socially challenged youth discover their voices matter, their stories deserve platforms, and their perspectives can win national recognition.

4.  Appreciation of PEG resources: Participants explicitly recognize the privilege and power of having access to professional equipment and broadcast platforms, often expressing that these opportunities would be otherwise impossible.

5.  Sustainable community impact: Ten years of consecutive operation proves the model’s viability while the awards demonstrate content quality that educates, inspires, and advocates.

How has the nominee served as an inspiration to others in PEG media?  
TeenTigerTV has often been recognized in the Hometown and Nor’Easter Festivals. Their work ranges from modest PSAs to sophisticated documentaries.  All reflect the passion and lived experience of young people using media to process their world. Some advocate for change. Others tell community stories. Some explore how to be in the world, like the First Job Series in the program’s launch year. The interviews continue to be viewed and provide intergenerational insight into a shared experience.

Here is a sampling of recent festival achievements in categories like Access Promotion, PSA, Experimental, Documentary, and Entertainment:

•    “When I Speak Freely” – Multiple awards including ACM National Hometown Award (About Access & Empowerment), WNET Lincoln Center Official Selection, 2nd Place ACM-NE Nor’Easter, and a $2,500 stipend. This powerful piece about youth voice and agency became a national conversation starter about democracy and empowerment.

•  “988 Its Never Too Late” – Multiple awards for this PSA addressing mental health crisis support, demonstrating youth willingness to tackle difficult topics affecting their peers.

•   “Framing Words About Manifest Destiny” – 2024 ACM Hometown winner that blends rap, documentary, and experimental formats to examine complex historical and social themes.

•  “Who, What, When, Why” because the ‘Where’ Is always Wallingford podcast series – 2024 ACM Hometown winner showcasing youth perspective on their community.

•   “What’s In The Bag” – Award-winning community event coverage that documented activism and civic engagement.

•    “Disconnected” – A film examining contemporary digital life and isolation issues facing youth.

We believe TeenTigerTV represents PEG access at its finest—giving marginalized youth the tools, support, and platform to tell their own stories, champion causes they care about, and discover their power as media makers and community change agents. The program doesn’t just teach video production; it transforms young lives while creating award-winning content that amplifies youth voices in conversations where they’re typically absent. Here are two examples of feedback:

The transformative impact is captured in participants’ own words:

“Your guidance and kindness has helped me grow beyond my expectations and given me the confidence and strive to reach past the stars and go beyond… You’ve changed my life and made me happy, and I am eternally grateful.”

Community members recognize the program’s unique value: “I enjoy watching the Teen Tiger TV segments… these folks could very well be the future of broadcasting in our state, we need to get them all the props and support they need and deserve.”

‘What If…’ Fictional Conversations Which Can Illuminate History For Today’s Community Engagement’


MOSES YALE BEACH IN CONVERSATION

The founder of the Associated Press—a man who literally shaped how Americans received their news—wrestled with the same tensions between profit and principle that we face today? An understanding of Antebellum (Pre-Civil War) America, Moses Yale Beach’s lifetime, is more relevant now than ever.

Mr. Beach is a unique lens for examining how information, capitalism, and moral choices shaped American identity.

We’re developing a filmed conversation series for community television that features Moses Yale Beach—AP founder and New York Sun editor (1831-1848)—in dialogue with four Connecticut contemporaries. Consider helping us get the details right about these historical figures so we can collectively explore big questions about capitalism, media, and moral compromise in antebellum America.

This project asks: How do we tell inclusive, truth-based American history that doesn’t flatten complexity? Beach and his peers made choices that built modern media while embedding compromises we’re still reckoning with. Understanding their entrepreneurial motivations alongside their moral blind spots helps us see how systems and institutions develop—and how they might be reformed.


WHY MOSES YALE BEACH MATTERS

Moses Yale Beach is an under-explored figure who shaped America’s media infrastructure:

  • Founded the Associated Press (1846) – The AP News cooperative is 180 years old, and the syndicated News model he pioneered continues to this day
  • Pioneered syndicated news – A single story, multiple platforms, amplified reach
  • Improved printing technology – Print cost reduction enabled mass media to be financially viable
  • Published both sensation and serious journalism – Including coverage of the Amistad case and “The Balloon Hoax”
  • Embodied contradictions – Anti-bank Democratic editorials while founding banks; entrepreneurship alongside moral compromises

A Historical Dialogue Series

A series of four fictional conversations rooted in biographical research and journalism history, featuring Moses Yale Beach (editor of The New York Sun, 1831-1848) in dialogue with:

  1. Roger Sherman Baldwin (1832) – Attorney in the Amistad Case: Legacy, human rights, and the contradictions of liberty
  2. P.T. Barnum (1842) – The Showman: Commerce, spectacle, and what Americans want to believe
  3. Edgar Allan Poe (1844) – The Literary Artist: Truth, deception, and “The Balloon Hoax”
  4. Daniel Webster (1849) – The Statesman: Expansion, war, and the price of compromise

WHY THIS MATTERS NOW

History isn’t just our past—it’s our foundation. We’re still becoming “all people,” which means inclusive history isn’t soft; it’s essential truth-telling. This project challenges the narrative that America’s founding institutions were driven purely by ideological imperialism, revealing instead the complex interplay of entrepreneurship, innovation, and moral compromise that built our information landscape.

THE APPROACH

These conversations are:

  • Grounded in Research: Built on biographical evidence and journalism history
  • Dramatically Structured: Designed for performance (theater, film, podcast, or digital media)
  • Thematically Rich: Exploring capitalism vs. morality, mass communication evolution, and the roots of systemic inequality
  • Connecticut-Connected: All conversation partners have Connecticut ties, allowing for regional interest

THE CONVERSATIONS’ DRAMATIC POTENTIAL

Sherman Baldwin (1832): The weight of legacy. Baldwin descends from Declaration-signer Roger Sherman. How do you honor inherited ideals while confronting their limitations? Beach’s Sun covered the Amistad case—but how deep did his commitment to human rights actually run?

P.T. Barnum (1842): Two entrepreneurs who understood the American appetite. Mining ventures, museum financing, and the birth of modern media spectacle. Where’s the line between giving people what they want and manipulating what they believe?

Edgar Allan Poe (1844): The year of “The Balloon Hoax.” Publisher meets literary artist. Both understood deception as craft. Was it art? Commerce? Journalism? Can we tell the truth through fiction, and if so, what are the consequences?

Daniel Webster (1849): The reckoning. Aristocratic Whig meets Democratic newspaperman. Both compromised their stated principles. The culminating conversation reveals Beach’s role in expansion and war—the ultimate cost of commercial success.

WE NEED CURIOUS & TALENTED PARTNERS

Historians & Researchers: To deepen the biographical foundation, verify period details, and ensure intellectual rigor about the characters and antebellum America

Writers: To craft dialogue that’s historically grounded yet dramatically alive, balancing accuracy with theatrical impact

Actors: To embody these complex historical figures and test the conversations in development

Theater/Film Professionals: Directors, dramaturgs, and designers to help stage at studioW

THE CONVERSATION WE’RE STARTING

This project asks: How do we reconcile the innovation and entrepreneurship that built American institutions with the moral compromises embedded in their foundations? How do we tell stories that humanize history without excusing it?

These aren’t just questions about the 1830s-1840s. These are questions about truth, media, capitalism, and inclusion that we’re still grappling with today.

NEXT STEPS

We’re seeking collaborators who are excited to:

  • Dive deep into primary sources and historical research
  • Craft compelling, performable dialogue
  • Challenge simplified historical narratives
  • Create work that’s intellectually rigorous and dramatically engaging
  • Explore how 19th-century conversations illuminate 21st-century challenges

Project Email: myb@wpaa.tv

Project Status: Development phase, seeking research and creative collaborators.

Target Completion: On or before July 4th, 2026

Connecticut Connections: All subjects have CT ties, so there is potential for CT America250 Partnerships

The Road Taken: Community Media ‘Story vs. News’


Since reorganizing after the end of WPL-TV in 1993, community media in Wallingford has been part of something larger than itself: the democracy movement that has embraced storytelling, conversation & technology for the people: public access television. The idea was radical then and remains so now—that everyday people deserve tools and a stage to tell their own stories, that free speech belongs to everyone, not just those with printing presses or broadcast licenses. However, Cable TV’s decline forces us to ask this question: “What are we without the TV?” The answer emerged clearly: we’ve always been more than TV.

2025 Treasurer Update: Community media in Wallingford sees another 8% revenue decline. Two percent more than budgeted.

A Mural Reveals the Way

In 2015, we solved a building blight problem with a public mural. Ryan “ARCY” Christenson transformed our north wall into public art, signaling to people in town that something is different about this place. What started as addressing an eyesore became a declaration: this 1924 cow barn at 28 South Orchard Street is intended to be Wallingford’s hub for arts and culture.

The community submitted names in a contest. When our leadership reviewed suggestions like “Tigrrrr” or “Stripes,” they selected Hercules. Not the cute name. The transformational one.

Hercules—the demigod who had to complete impossible labors to become his true self, who descended into darkness before ascending to divinity, who learned that real strength means service—embodied the journey we were beginning. The name declared our belief that has been part of our legacy from the start: ordinary people do extraordinary things here.

The tiger mural marked the first visible step in our evolution from a focus on public access TV into something richer—a space where democracy becomes a creative practice through story crafting, people gathering, and uplifting voices. Like his mythological namesake, Hercules stands guard at the threshold of transformation.

Hercules and the Labors of Community Media

The metaphor deepens when you consider what Hercules actually teaches us about transformation:

Strength through service – Hercules was the strongest man alive, yet his path required serving King Eurystheus, doing tasks others set for him. Similarly, WPAA-TV has power—broadcast capability, production tools, a historic building—but our strength comes from how we serve the community, not from the technology itself.

Penance becomes purpose – Hercules didn’t choose his labors; they were imposed as atonement. Yet through completing them, he discovered his true calling. Cable TV’s decline didn’t happen because we wanted it. But navigating that challenge revealed who we really are: an arts, humanities, and culture organization intrinsically tied to democracy and creative expression.

Cleaning the Augean stables – One of Hercules’ labors was cleaning decades of filth from massive stables—unglamorous, unsexy work. Community media does this too. We don’t chase viral content or ratings. We document. We train people with technical and story coaches. We maintain equipment. We do the daily work that makes democracy function.

Earning divinity – Hercules was born half-divine but had to earn full godhood through mortal struggle. WPAA-TV was born with broadcast power but had to earn our recognition as an Arts Organization through years of service, adaptation, and community building. The Connecticut Office of the Arts didn’t validate us because of our equipment—they recognized us because of our roots in story and transformation into an arts space.

Like Hercules, we’re on a journey where each challenge strips away what’s false and reveals what’s essential. Cable TV declining isn’t our enemy—it’s forging us into something stronger: something the community did not know they needed.

A Different Path Forward

Across the nation, several community media stations are looking at their role in the transforming media landscape. Some are considering expanding resources to cover local news. This was not a logical direction for us. Connecticut and New York are fortunate. While much of America battles against becoming news deserts—those places where local journalism has withered and died—our corner of the country still has newsrooms. The Record-Journal, though no longer family-owned after its purchase by Hearst Connecticut Media Group, continues to publish. Independent nonprofits like the New Haven Independent and CT Mirror are striving and, in many ways, thriving. The Hartford Courant legacy began in 1764, continues. And several platforms redistribute news and provide event and local self-publish articles like Patch.com

Even with the resources devoted to news in Connecticut, the local feel has diminished. People will quickly say; “There is no local news”. As we looked at this perception of a news gap, we recommited to being what news organizations cannot be: a place where the community tells its own stories, in its own voice, on its own terms.

Story vs. News: Understanding the Difference

Here’s what we’ve learned: news tells you what happened. Story helps you understand what it means.

News organizations, even excellent ones like the Record-Journal, New Haven Independent, and CT Mirror, serve a crucial democratic function. They report events, hold power accountable, inform citizens about government actions and community developments. This work matters profoundly.

Community media does something different. We create space for the stories behind the news, around the news, underneath the news. When two community members spoke on camera in 2017 about learning English by watching sitcoms, that wasn’t news—but it was a story that revealed how our neighbors navigate their world. When youth producers in #TeenTigerTV create videos about the first snow or how we love our pets or sunset blessings, they’re not reporting—they’re connecting strangers over shared values.

The Record-Journal might report that a new business opened downtown. WPAA-TV’s “Local Lens”—with rotating guest hosts—explores why the owner chose Wallingford, what they hope to build, how their immigrant grandmother inspired their dream. “MidLife Matters” continues its award-winning run, sharing transformational stories of local women. Both news and story matter. Both serve democracy. But they serve it differently.

The Place-Based Mission

We recently updated our mission to be explicitly place-based:

Democracy is a creative practice in studioW #wpaatv with story crafting, people gathering, and uplifting voices. Our tools & stage yield more than videos when U watch and share. Unity begins with U.

Notice that word: Unity begins with U. This isn’t just wordplay. It’s our operating principle.

Traditional news—vital as it is—maintains professional distance. Community media eliminates that distance entirely. There is no “them” covering “us.” There’s only us, telling our own stories, in our own voices, with our own cameras and editing software, on our own stage.

This is what Hercules understood by his final labor: real power isn’t about being the strongest. It’s about using your strength to lift others up.

What Cable’s Decline Actually Means

Cable TV’s 8% annual revenue decline tells us that the medium is changing, not that the mission is obsolete. The cow barn that volunteers renovated is still standing. The hayloft we call studioW still hosts “Make TV” programs. The tools and training we provide at no charge still empower Wallingford residents, local businesses, and creatives in film, music and more.

What’s changing is distribution. Content still gets viewed on screens—just not necessarily through cable boxes. And the revenue stream is reliably shrinking as a result. Like Hercules facing each impossible task, we adapt. We don’t need to slay the Nemean Lion the same way every hero before us did. We find our own path with ‘U’. It is not about what we need; it is, as it always has been, about what connection as a community means.

The Alliance for Community Media recognized our aspirational efforts to engage and represent with Best in USA small station Hometown Festival awards in 2019, 2021, 2022, and 2023. Our StreetshotZ Photobook project won first place in Community Impact in 2020. These honors acknowledge that we’re doing something right, even as the landscape shifts beneath our feet.

Two Systems, One Ecosystem

Connecticut isn’t a news desert because we have multiple information systems working in concert: Hearst-owned papers. Nonprofit investigative journalism. Community media centers. Together, we create an ecosystem where citizens can both consume professional journalism and produce their own community narratives.

When the Record-Journal reports town council decisions, and programs like the now-retired “Citizen Mike Show” interviewed those councilors about their philosophy and vision, democracy got served from two directions. When CT Mirror investigates state policy while WPAA-TV documents how that policy affects individual Wallingford families, understanding deepens.

We need both. We deserve both.

The Road We Took

Robert Frost wrote about the road less traveled. WPAA-TV’s road wasn’t less traveled—it was different entirely. While news organizations adapted to digital subscriptions and nonprofit funding models, we returned to the democracy movement’s original vision: everyday people as media makers, not just consumers.

This October, the Connecticut Office of the Arts officially recognized us as an Arts Organization—validation that our roots and transformation in story are real, not just rhetorical. Like Hercules earning his place on Olympus, we work to earn our place in the hearts and minds of the people we are here to serve as an open, inclusive, creative space.

The high likelihood that our cable TV affiliation will disappear within three years isn’t a crisis. It’s clarification. We’ve been becoming an arts, humanities, and culture organization all along, intrinsically tied to that original public access intent. The brand refresh acknowledges what’s already true.

From WPL-TV to WPAA-TV. From TV station to MoreThanTV. From broadcast facility to arts hub. From “Express Show Perform” to “Democracy is a creative practice.” Each evolution honored our roots while reaching toward what the community needed next.

Unity Begins with U

Our gallery events support food and housing insecure neighbors. Our #in2languages initiative helps families learn by watching. Our #TeenTigerTV program builds media literacy and job skills for young people. Our Nelson ‘Carty’ Ford Memorial Gallery showcases social action art. Our space hosts meetings, performances, and gatherings.

These activities flow from a single source: the belief that when people have tools, training, and a stage, they create connection. And connection is the infrastructure of democracy.

Hercules the tiger watches over all of it from the north wall. His presence reminds us daily: transformation isn’t comfortable. It requires impossible labors. It means descending into uncertainty before ascending to clarity. But the journey—the struggle itself—is what makes us who we’re meant to be.

The Work Continues

News organizations tell us what’s happening in our communities. Community media helps us understand who we are as a community.

We’re all taking roads. Some well-traveled, some emerging as we move ahead. The New Haven Independent and CT Mirror are exemplary news organizations. While Connecticut may not be a news desert, the investment in timely, comprehensive news is a struggle. The news gatherers navigate affordability, ownership, balance, transparency and being of local value. WPAA-TV reimagines what community media means as cable fades.

The difference is this: at WPAA-TV, you’re not reading about the road. You’re walking it with us. Camera in hand if you want one. Your voice, your story, your town.

Because unity—the kind that sustains democracy—really does begin with U.

And because, like Hercules, we know that the labors never truly end. They just reveal more clearly who we’ve always been: brave enough to transform, strong enough to serve, and just foolish enough to believe that democracy is still a creative practice worth pursuing.


WPAA-TV | studioW | MoreThanTV 28 South Orchard Street, Wallingford, CT Where democracy is a creative practice #wpaatv #CelebrateWallingfordEveryDay

The Constants: Tech, Community, Media


What community media is has evolved in Wallingford. 50 years ago it was a community bulletin board managed by the Wallingford Public Library. Ironically, the technology solutions to centralize data access for events and other community information is more desirable, and elusive, than ever. A 20-minute reoccurring bulletin board loop was not the answer then, even though it often was.

Social media decentralized, & capitalized on, this hunger for connection and announcements. Solutions remain elusive. WPAA-TV and Community Media Center went 100% video in 2018, eliminating the bulletin board, welcoming short-form video. Playlist technology helped manage its operational impact a few years later.

Technology evolution has been a constant. The other constant are the two words that replaced P.E.G.(Public, Education & Government Access.): Community & Media.

Today (Oct 20,2025) is #CommunityMediaDay

Nation-wide telling & uplifting community stories is at a cross-roads. Putting technology in people’s hands is more nuanced with the evolution of smart phones. Some suggest that community media is no longer relevant. So what is the movement today which started as volunteer advocacy for technology in the hands of the people in the 1960s & 70s? Absent a strong footprint & community connections, in an environment that shuns inclusive voices and fades our budgets, the future looks bleak; until we refocus on why & what we do, versus how we do it.

Story & conversation by, for and of the people is our core. Putting technology in people’s hands was really about engagement, exposure, and discovery.

Back to Wallingford’s unique story

30 years ago, a handful of AV nerds and church members, formed a nonprofit. It would be funded by a portion of the franchise fees available to seven contingent towns. In Wallingford, the town used tax dollars to provide E & G.Eventually, volunteers familiar with the roots of Community Media, including me, discovered the ‘club house’.

What I noticed. What was working for the few involved was having a place to gather and explore. What was not working, serving the broader community. Active volunteers feared their ability to handle the interests of others and keep abreast of technology.

Small, and in the shadow of a government made TV, the WPAA-TV and Community Media Center, leveraged volunteer talent to stay open and keep abreast of regulatory changes. Volunteers focused on building an accessible community space and community access to the tools & stage. They stayed strategically rooted in story & advocacy.

Today WPAA-TV is a brave, safe, creative space for a diversity of expression within our community and beyond. It is the art & culture center of Wallingford, ready to embrace all who come. It is the home of the Nelson ‘Carty’ Ford Memorial Art Gallery and award-winning #TeenTigerTV. It is where Democracy Is A Creative Practice, daily. It inspires: https://lnkd.in/emSJ-bEg

#CommunityMediaDay

All That Is Missing is U


Community Media Day Open House

On Oct 18th, we are celebrating 50 years of #CommunityMedia in Wallingford with traditions, storytelling, and the intersection of art & technology. Free. Family-friendly. Come prepared with costumes & skits, or be spontaneous. It can take as little as 5 minutes to create a lasting memory.

The annual celebration of community media and its mission —providing a brave, safe, and creative space for a diversity of expression within our community —happens on the Saturday nearest National Community Media Day.

The Timeline: Saturday, October 18th

  • Noon: Nonpartisan Get Out Vote (Candidates invited to share Voter Registration Info)
  • 1:00 pm Greenscreen Fun | Holiday Message Making (Videos from Past Events)
  • 1:00 pm Art & Tech: World Premier (Interactive Fine Art by Apollo Maldonado)
  • 2:30 pm Puppet & Mask Making (Recycling Covid Face Shields)
  • 3:30 pm The Puppet Village
  • Throughout the afternoon: Check out the Nelson Carty Ford Memorial Art Gallery, or Make a donation toward the Gift4Gift sustaining community media project. Select from Democracy Is A Creative Practice T’s & Hoodies, The Check Minus: Two True Wallingford Stories Book, or #TeenTigerTV planet friendly items. Freeman’s Attic Art Sale is ongoing. 50% of proceeds support Master’s Manna. Select items on FB Marketplace coordinated by volunteer ‘Lawrence’.

Event Details Here.

How It All Began

With the welcoming of Cable TV in the 1960s, communities had the potential to produce local television stories with resources provided under franchise agreements. Advocates across the nation pursued what federal legislation made possible. In 1975, the Wallingford Public Library secured a state grant for a televised community message board. The community communications project soon expanded to include a few local television programs, including 200 North Main St., a program in which library staff shared details about library happenings. Now ceased, it may have been the earliest, longest-running show in Connecticut community media.

Transition To Nonprofit Volunteer Management

The creation of media by the people and for local government as library outreach ended in 1993. There were concerns about satire and free speech. The library board of governors voted to discontinue nearly two decades of progressive service. From this community controversy, Wallingford Public Access Association, Inc. (WPAA) was incorporated as a nonprofit. In 1996, WPAA was designated Wallingford’s Cable Access Provider. WPAA remains responsible for meeting the community’s reasonable needs for ‘P.E.G. Access’ with primary responsibilities for the people’s media making support.

Sorting Out The Purpose

“THEREFORE, BE IT FURTHER RESOLVED that Wallingford Public Access Association, Inc. do business as WPAA-TV and Community Media Center.”

In 2016, a significant discovery was made—the corporation was limited by its original Articles to “television programs of educational value.” This constraint didn’t reflect the full scope of work our volunteers had already been pursuing. WPAA’s governance team adopted a resolution to realign our corporate identity with the actual mission we were serving.

We filed Amended and Restated Articles of Incorporation with the State of CT that align with the universal principles of community media. The updated documents affirmed that Wallingford Public Access Association, Inc. does business as WPAA-TV and Community Media Center, embracing a broader mandate for creative community expression.

A Permanent Home

Volunteers completed an adaptive renovation of a two-story 1924 cow barn of 28 So. Orchard St. in 2010 and owned the property outright as of March 2020: See the story by Quinnipiac University Intern Garrett Amil here. See photo galleries here

studioW: Story > Conversation > Community

On Oct 8th, the Department of Economic & Community Development, Office of the Arts formally affirmed that the Media Center & Gallery are an Arts & Culture organization. In the 2025-28 Strategic Plan recommits to empowering the people of Wallingford and beyond to uplift the community through story, conversation, and content creation by operating a community‐centric, digital media center and public art gallery.

As a Community Media organization WPAA-TV is recognized for excellence: National ‘Overall Excellence‘ Award from Alliance for Community Media for Small Public Access Stations 2019, 21, 22 & 23 and ACM New England 2013, 2014, Finalist Excellence Nor’easter Festival 2021, 2022, 2024 and Community Impact 2021,22,23. Our producers and #TeenTigerTV youth are our storytelling heroes. For updates on their success go here.

Democracy Is A Creative Practice

Storytelling is widely considered the oldest art form. It is also at the heart of community media. We support it all—from the informal sharing of stories in conversation to highly produced digital content.

Democracy is a cultural process of active participation, storytelling, and collective problem-solving. It requires citizens to be creative, engage deeply, and collaboratively shape their communities and society to build a stronger, more equitable future. This is the creative practice we support.

We facilitate the integration of art and culture into civic life. We foster dialogue to build shared understanding across differences, develop new policies, and empower communities to address social and political issues. From inception, community TV existed to enable just, creative, and individual expression and the freedoms that make it possible. When portrayed as an electronic soap-box, public-access TV reinforced singular ideas by individuals. Community media today embraces a different model—we’re a hub for collaborative engagement and creation. “Bringing people together” and “allowing people in to do their thing” are very different dynamics. We choose the latter.

Join Us.

Unity begins with ‘U’. All that is missing is U.

October 18th is a day to start your journey of discovery. Experience the magic of TV making and the power of art to inform and entertain. We believe you will discover what you did not know you needed when you come by.

Event Details Here | Join us on Saturday, October 18th at 28 So. Orchard St., Wallingford

CT250: A Truth-Telling Initiative in Wallingford


History is not our past; it is our foundation. We are still moving toward the full promise of “all” people—from indigenous nations to those seeking and being granted citizenship today. Inclusive history is not optional; it is essential truth-telling.

WPAA-TV is committed to making visible, evident, and relevant the importance of people and place in our collective history. Through rigorous, inclusive scholarship and community engagement, we intend to explore Wallingford’s transformative impact on the United States of America—not as a triumphalist narrative, but as a foundation for understanding who we are and who we aspire to become.

Our Approach: Doing History

While national America250 initiatives have increasingly focused on the Revolutionary period and a narrower commemorative frame, the Connecticut Commission takes a different path. We embrace CT250 as our designation because we reject the oversimplified narratives—particularly the triumphalist “Manifest Destiny” framing that has been injected into the national effort.

“Doing History” means understanding not just what happened, but why—what motivated people, what trade-offs they navigated, what complexities they lived within. It means asking harder questions and embracing uncomfortable answers. This work has been underway for over two years, guided by committees and commissions thoughtful enough to recognize that our 250-year story cannot be told in a single frame.

Connecticut’s Story: Complex Individuals, Shared Purpose

There were five signers of the Declaration of Independence from Connecticut: Roger ShermanSamuel HuntingtonWilliam WilliamsOliver Wolcott, and William Ellery Channing. Two signers had a connection to New Haven County—Roger Sherman and Lyman Hall, a Wallingford native son who represented Georgia. Each held significantly different values, yet both came together around the greater mission of the United States of America. This is not a story of perfect unity, but of diverse people negotiating shared purpose across genuine differences. The outcome was a founding document with an inherent contradiction between the ideal of universal equality and the reality of widespread enslavement.

This model speaks directly to our moment. Understanding how historical figures with conflicting beliefs still found common ground offers us more than nostalgia; it offers us a blueprint. But the blueprint enabled silence to condone the practice of slavery. The original draft contained a condemnation of King George III for perpetuating the Transatlantic Slave Trade. This powerful passage was removed by the Continental Congress to secure a unanimous vote for independence, with delegates from both northern and southern colonies objecting. Lyman Hall was among those solidifying the normalization of slavery at the birth of our nation.

Local Focus: Moses Yale Beach Revealed

Our most concentrated local effort centers on Wallingford native son, Moses Yale Beach (MYB), a figure whose historical importance has been reduced to footnotes. Beach’s life reveals the distinction between entrepreneurial ambition and imperialist ideology—a distinction that reshapes how we understand America’s westward expansion. He exemplified the entrepreneurial spirit of Antebellum America and the moral complexity of ‘the other’. The marginalizing groups of people as fundamentally different and inferior to the dominance of white men. Mr. Beach financed the Wallingford battalion of Civil War soldiers (1861), but had previously been challeged as Editor of The Sun about the rights of African-American.

Does the Sun really shine for all people? — Willis A Hodges (1846 Letter to the Editor)

Who was Moses Yale Beach?

  • Founder of the Associated Press (AP) with New York Editors interested in efficient gathering of Mexican-American War News
  • Pioneer of syndicated news distribution
  • Innovator in marketing concepts, including his compendium, Wealthy Citizens of New York
  • Inventor of the rag-cutting machine and gunpowder engine

His Historical Significance: Beach was indirectly influential in spreading Manifest Destiny ideology, but his motivations differed fundamentally from the imperialist views and justifications of President Polk. Beach was interested in the inevitable benefits of westward expansion—particularly the commercial and entrepreneurial opportunities it presented. He was not, however, fully invested in the imperial conquest narrative that dominated political discourse of his era.

Notably, the term “Manifest Destiny” itself was coined by a female journalist, Jane Maria Eliza Cazneau, who wrote for The Sun, where Beach served as editor. This detail—often overlooked—complicates our understanding of who shaped America’s ideological direction and how.

Why MYB Matters: Moses Yale Beach demonstrates that American history is not a binary of heroes and villains, but a complex landscape of individuals with mixed motives, partial commitments, and human contradictions. By lifting Beach from footnote to fully-realized historical figure, we see a more honest America—one still worth understanding and learning from.

How We Bring “Doing History” to Our Community

America250 Stories: Supper Series

History lives in people. To honor this truth, we are hosting America250 Stories, a six-month supper series running from February through June 2026. On the fourth Monday of each month, community members gather to share a meal and record facilitated conversations about local and family history.

The Format: Held from 6:00–7:30 pm, each gathering includes soup and beverages provided, with community members invited to bring a dish to share. Participants join facilitated story sessions that are recorded for our growing archive of local memory and lived experience. Drop-ins are welcome; advance registration is encouraged at reserve@wpaa.tv.

The Themes: Over six months, we explore history through different lenses:

  • Americana: “What America means in my family,” family stories of service, holiday traditions, and dreams realized
  • Family & Community History: Earliest family stories, ancestral origins, neighborhood transformation, and traditions passed down
  • Local History Connection: Witnessed change, vanished places and buildings, and how our own work connects to the past
  • Living History: Firsthand memories of historical moments, the oldest voices in our families, and how trade and craft link us to generations before

Why This Matters: America250 Stories embodies “doing history” by centering the people who actually lived it. We are not asking you to know academic history; we are asking you to remember and share your own. These conversations become the historical record—the stories that textbooks often miss, the details that make history human and real.

Each session builds a shared archive of community memory, proving that history is not something that happened “back then.” It is the accumulated experience of people like you, still being lived and still being made.

Why This Matters Today

Truth-telling in American history is not political, but it is challenging for some hearing it from alternate perspectives. As we mark 250 years, we have a choice: to celebrate a simplified past, or to understand a complex foundation. Connecticut chooses the latter.

The committees and commissions across the nation planning for America250 represent diverse approaches. Many, prior to recent political shifts, were leaning into the value of history throughout 250 years—not just the Revolutionary period. That broader, more inclusive vision remains our commitment.

We will continue to explore history as something of genuine value—not because it flatters us, but because it grounds us. We do this work for a nation still becoming, still learning to mean “all” people.

You can be part of this work. While we would love to share stories on the fourth Monday of the month from January to June, we have much more to discover and reveal about the role of Wallingford in the larger story of America. Contact us via email at myb@wpaa.tv

Religion Trumps Truth


The Federal Office of Personnel Management issues a memo (7.28.25) allowing federal employees to pray publicly at work, as well as to try to “persuade others of the correctness of their own religious views”. Such action casts shadows on our local effort to bring to light mismanagement of publicly administered funds going to churches in Connecticut. However, the Connecticut story is not connected to white Christian nationalism; it is about the influence of evangelical pastors in urban communities.

Mega Churches Syphon Community Media Fund

How many of the 2,600 + Spiritual Communities in CT would love $10,000 for video equipment on the promise to submit to a community media channel?

Is it okay that New Vision International Church was approved for another $10,000 in the most recent PEGPETIA cycle. They asked for $116,485 and have recieved $265429 since 2020? There is no evidence that this church provide content to its community media channel. If it did it would be for one hour a week like most churches.

There is a rumor that the window to fund churches was opened in an election season. The procedural docket recommendation was to limit funds agencies serving multiple producers.

CT PURA Dockets (No. 19-11-01, 21-10-13, 23-10-02, 24-10-02) treated Churches as Community Media Organization. On April 18th this testimony was filed with the PURA in Docket 24-10-02. It was never acnowledge.

On May 23rd, a supplier1 for what is in our opinion the most egregious syphon on Community Media Capital Funds by New Vision International Ministries (Bridgeport) will be sentenced for fraud. Minutolo claimed an ownership interest or representative relationship with City Sounds Productions LLC (“City Sounds”). Minutolo pleaded guilty to two counts of wire fraud, an offense…a maximum term of imprisonment of 20 years on each count. Concerns submitted previously in the chart on trends in awards to spiritual communities.

New Vision International Ministries (Bridgeport) was awarded another $10,000 after previously receiving $265,429 for supplying one program to Soundview. Docket 19-11-01 $149,755 | 21010-13 $8,000 | 22-10-02 $66974 | 23-10-02 $40,700). Again, the question is: Is there a reasonable limit for the production of one program outside of a community media facility?

For $149, 755 a one-hour broadcast at 10 pm on SoundView Community Media, Inc. was available with 7 shows distributed. They reported training, which is the responsibility of Soundview, as compliance. They identified COVID as an impediment. Most Community Media Stations did more during COVID. (Essentially, they supply a weekly 1-hour show. They built an alternative studio and indicated they were a “studio operator”. Is there a subcontract with the MVPD or the CAP?

Underwriting Inherently Religious Activity

The Authority wrongly refers to a ​‘persistent’ misunderstanding of the concept of the “separation of church and state” doctrine. The Supreme Court interpretation overrides the Authority’s procedural mandate for allocation of funding. There was no claim of ‘endorses nor discriminates against producers’; rather, the claim remains ‘public funds should not UNDERWRITE inherently religious activity’. The objection was as follows: The United States Supreme Court: faith-based organizations may not use direct government support to support “inherently religious” activities. …inherently religious activities such as worship, prayer, proselytizing, or devotional Bible study.

Who Is Streaming: What level of tech is necessary to produce video for a single show distributed

Similarly, the Authority displays no critical oversight of the ‘capital and equipment costs’ that aid the production or procurement of public, educational, and governmental programs for broadcast on Connecticut community access channels. There is no disagreement with Footnote 6: There is no prohibition on making PEG programming available in other formats, including online streaming, but funding must be used principally to produce programs that will be submitted for broadcast on Connecticut community access channels. The issue is use of funs to cover the cost of independent producer streaming or any other technology not germane to production for TV, such as display monitors in the sanctuary.

PEGPETIA was not intended to fund production companies or self-designated studios.

We have no argument with the Authority as regards PEG Grant funds must be used for capital and equipment costs that aid the production or procurement of public, educational, and governmental programs for broadcast on Connecticut community access channels.